Модест Мусоргский - Избушка на курьих ножках - текст песни, слова, перевод, видео

As if returning home together with Gartman, the author completes the cycle with two plays on Russian topics.

Fantasy Mussorgsky depicted a powerful dynamic image of Baba-Yagi, a picture of "unclean strength", filled with "demonskie" dissonances (already in the very first tact - a sharp jump on a large septim). Initially, there are several rare chords, then they are rapidly imitating the "running" from which "flight in the Step" begins. Sound "blots" depicts negligence and "dirt" in the image of Baba Yaga. Unevenno-placed accents mimic the chrome gait of "bone legs". Against the background of these sounds, "takes off", the simple and fierce melody played by complete chords, as if swept away everything on its path. Then after the transition, the entire middle part of the play is coming, quiet and alarming, full of unstable sounds - whether the flight, or the night forest. Then - the third part - the repetition of the first topic is sharply broken, and the pion is completed with a piano cadence from rapidly alternate sounds through an octave in the "take-off" direction, which in the end without a break "crash" into the first chord of the final play - the "Bogatyric Gate".