Алябьев - Соната для скрипки и фортепиано e-moll II. Adagio cantabile - текст песни, слова, перевод, видео

Span. E. Gilels and Dm. Tsyganov

Zap. 1951

The calm and bright Adagio Cantabile (second part) is even more impressive. Its main lyrical theme receives its continuation in variational development. It seems to bloom in a duet of two voices, enriched with thin "openwork" figures.

In the middle section, Adagio Alyabyev resorts to the favorite reception of the reproach of the topic, its transfer to the tonality of the Minor of the same name (Major - Minor). Such a variation method, indicating the undoubted “Schubertianism” of Alyabyev, strengthens the romantic tendency of the sonata. Purely romantic techniques of improvisation, free ornamentation of the melody, so close resembling the subtle coloring of lyrical melodies in Glinka are also evidenced about this. Romantic expression is also full of expressive rigor-deck pathetic “exclamations” in a party of violin (before the minor episode). In the depth of mood, naturalness and freedom of outpouring the feeling of Adagio Cantabile from the violin sonata - one of the best samples of Alyabyev’s lyrics.