Finis Mundi - Юлиус Эвола - текст песни, слова, перевод, видео

Magic path of intensity

"The modern civilization of the West needs a cardinal coup, without which it is sooner or later doomed to death.

This civilization was distinguished by any reasonable order of things.

It turned into the kingdom of quantity, matter, money, cars, in which there is no longer air, freedom, light.

The West forgot about the meaning of orders and obedience.

He forgot about the meaning of action and reflection, about the meaning of the hierarchy, spiritual authority, the divine presence. "

No, this is not the texts of Rena Geon, the criticism of modern civilization number 1. Genon was taller thanks, abstract, academically. These are words that open the book of his Italian associate Julius Eway. Genon was a person of a priestly type, for him the thought was much higher, and the impassive truth is more attractive than the element of struggle and resistance. Evola embodies that Military. Kshatrian Spirit. Where Genon is a statement, - Herona is a call, where Heon has a statement, the Eway is a political action, Geon is exposed, Evola has an ideological and physical battle.

Nevertheless, they are very close to each other spiritually. Starting with the translations of the genon to Italian, Evol gradually became the magnitude almost equal to Genon in the traditionalist environment. And since the passionate, performed by the mighty will and deep knowledge of the texts and gestures of the Evola affected the larger number of rebellious hearts of the Western elite, then the name of the Evola began to be even more famous than the name of his ingenious Teacher Rene Heon.

Julius Evola is often called the "last queen". Kshatriyami was called Casta Warians and Kings in India. A strange character, in the midst of the cynical twentieth century, he lived, thought and actually worked as if there was a blessed era of a brilliant, magical, cruel and paradoxical, spiritual and militant medieval ...

Baron Julius Evola was born in Rome on May 15, 1898 in the family of Italian aristocrats. In the autobiographical book "Path Cinnabar", Evol talked about his youth:

"I almost do not owe any environment, nor education, nor my family. To a large extent, I brought up a tradition of Catholicism prevailing in the West - Catholicism, on the denial of the current civilization, this materialistic and democratic modern world, on the denial of the general culture and the question of thinking That the people I belong to, i.e. Italians, and on the denial of the family environment. If all this has influenced me. It is only in a negative meaning: it all caused my deepest internal protest. "

Protest, nonconformism, spiritual uprising - the overall denominator of Julius Evola's life path. In early youth, he was expressed in the most radical and nihilistic forms.

The young Evola after a brief passion of futurism becomes one of the first Italian Dadaists, considering futurism too reactionary and not fairly innovative.

Evola meets the Tristan King, writes dadistic poems and poems, suits Haptanigi and writes paintings. Some of them are currently decorated with the walls of the Gallery of the modern art of Rome in the hall dedicated to Dadaism. The work of the Evola attracted the attention of Digeshev, and his scenographic etudes to the productions of "Peleas and Melizanda" Debussy entered the history of modern ballet as an illustration of the Decadent period.