Аленький цветочек - Сказка - текст песни, слова, перевод, видео

The staging - “The Scarlet Flower” of 1970 from a series of records “Tale behind a fairy tale”.

Play on the fairy tale S. Aksakov

Music A. Metner

Actors and performers:

Merchant - S. Bobrov

Alyonushka - K. Oskolkova

Sisters - T. Tikhomirova, M. Fomina

Anton - Yu. Fomichev

Nanny - E. Rudneva

Baba Yaga - N. Nedvlyansky

Goblin - V. Tornsen

Kikimora - L. Hot

Monster - Yu. Sazonov

Presenter - N. Litvinov

Orchestra p/u A. Metner

The work of Aksakov-Belleletrist mainly dates back to the 50s of the last century. Then his “fragmentary memories of childhood” appeared in the press in the grandfather's estate in the Volga region-“Family Chronicle” (1856) and “Children's Years of Bagrov-Vnuka” (1858), which became the artistic discovery of the genre.

Here “True is felt on each page,” N. G. Chernyshevsky enthusiastically wrote about the autobiographical story of Sergei Timofeevich Aksakov “Family Chronicle”. These words could be attributed to the whole work of an outstanding original Russian writer. Contemporaries called him "a sorcerer of sweet Russian speech." Gogol more than once listened to his oral stories and advised Aksakov to take up the pen. And the first printed work of the writer - a poetic description of the snowstorm - delighted the great Pushkin.

In autobiographical books, written on the basis of memories and family traditions, Aksakov proved himself a subtle psychologist who could express the subtle movements of the childhood soul. Until that time, he was known as a poet, as a sensitive literary critic, one of the first to celebrate the realistic skill of Pushkin, as a brilliant expert on the theater, even before the advent of Belinsky’s articles admired the great actor - “plebeus” Mochalov, as a man passionately in love with the nature of his native land And creating her penetrating poetic sketches. No wonder I. S. Turgenev wrote about the Aksakov’s “Notes of the Rifle Hunter”: “We haven't had such a book yet!”

Aksakov was a lover and expert on Russian antiquity, a propagandist of folk poetic creativity - fairy tales, parables, songs. Even in the youthful poem, opposing the passion for “all foreign”, he called: “... We turn to the customs, we will turn to a native language ...”

The charm of the Russian song syllable, the poetic world of folk tales distinguishes its literary processing of the fairy tale about the magical, miraculous “scarlet flower”.

This fairy tale (placed by the writer in the appendix to the “Children's Years of Bagrov-Venuka”) forever entered the children's reading. The fairy tale became known precisely in the Aksakovsky “translation”, in his peculiar creative recreation. The writer carefully retained the intricate ornament of folk epithets and revolutions, conveying the bright lyrics of this unsteady legend about selfless love, and the cheerful cunning of the storyteller, and folk ideas about the ideals of nobility, humanity, devotion.

The plot of the unfading “scarlet flower” is largely similar to the legends of different peoples of the world about the saving power of love. In the way of love are irresistible obstacles, and only happiness is achieved by fidelity, selflessness. Aksakov’s fairy tale owes its popularity not only correctly conveyed folk wisdom, but also a magnificent, flexible, expressive, “truly Russian” language.

The proposed record will introduce you to the play written from this fairy tale.

© 1970 D 028013-14 Audio: 44KHZ 00:53:20 Mono 161kbps (VBR)