mozart - Rekviem re-minor 8.Lacrimosa - текст песни, слова, перевод, видео

Mozart’s requiem (K.626) as a symbol of ideanalysis - a musical work that reflects conditions, drama, the idea and stage of the method.

Wolfgang Amadeus Mozart with a musical symbol of ideanalysis, reflecting the spirit and structure of the method, is the “Requiem” of V. A. Mozart, conceived, or ordered by Mozart, like a memorial Catholic mass, but a result, perhaps the most life -affirming work of all famous ones.

Probably, it is best to imagine the whole range of experiences from the adjustable, their stages in the process of ideanalysis, having examined this work in detail.

So, the first three parts of the “Requiem” give an image that is fully correlated with what is happening with the adjustable, to the start of the correction process, a kind of humanitarian history.

The first part of the Rediem Aetenam (eternal peace) begins with sad chords, the so -called. "Steps", introducing a state of tragic anxiety, which develops further ...

(Hereinafter, the words “Requiem” in Latin and translation, parts for downloading in mp3 format with a quality of 64 kbps, all 14 parts of “Requiem” together - 25.7 MB - 57 min. Rem. - Berliner Philarmoniker, Herbert Von Karajan)

Download with higher quality 320 kbps

I. introitus:

Requiem aetenam

Requiem Aeternam Dona Eis, Domine,

et lux perpetua luteat eis.

TE Decet Hymnus, Deus, in Sion,

ET Tibi Reddetur Votum in Jerusalem.

Exaudi Orantem MEAM:

Ad TE OMNIS CARO Veniet.

Requiem Aeternam Dona Eis, Domine,

et lux perpetua luteat eis.

I. Introduction:

Eternal peace

Eternal peace grant them, Lord,

And the eternal light, let them shine.

You are sung by the anthem, God, in Zion,

Prayers are losed in Jerusalem.

Hear my prayer:

All flesh resorts to you.

Eternal peace grant them, Lord,

And the unquenchable light shows them.

There is no real “peace” here. There is a painful tense crying on rest, breaking into a heart -rending one: “Exaudi! ..” (Hear ...), “Ad te! ..” (to you ...).

Further, in the second part, it would seem, a prayer is going on - a request for forgiveness “Kyrie Eleison” (Lord have mercy), but not so simple ...

II. Kyrie Eleison

Kyrie Eleison.

Christy Eleison.

I. Lord have mercy

Lord have mercy.

Have mercy on Christ.

From prayer there is only a word. The request for pardon sounds demanding, imperative, sometimes even menacingly, and in the end solemnly, does not carry any actual repentance. This attitude to God reflects the entire system of problematic relations: in the same way, a person who is at the peak of destructiveness refers to both himself and other people.

Not only the words are repeated, but the melody itself, as it were, walks in the same circle (fugue) - this is an image of problematic cyclicity, always present in the destructive system of relations (“the demon circles”, “circles of hell”).

The peak of destruction, the “funnel”, which ends “circles of hell” - is some kind of disaster, trouble, illness. It is this condition that conveys the third part - “Dies Irae” (anger day), written by Mozart under the impression of the plague, which was raging in Europe from the XIV to the XVIII centuries, and claimed a total of 75 million human lives. And just like a plague, rolled periodically, as well as personal negative, not cleansing suffering walks around the same circle, in a crazy devilish catastrophic carousel.

III. Sequentia:

Dies Irae

Dies Irae, Dies Illa,

Solvet Saeclum in Favilla,

Teste David Cum Sibylla.

Quantus Tremor Est Futurus

Quando Judex Est Venturus,

Cuncta Stricte Discussurus.

III. Sequence:

Day of anger

Day of anger, that day

will plunge the world to dust

So testify to David with Sivilla.

Oh, how everything will tremble

When the judge comes,

And everyone will judge.

Day of Anger ... Whose anger is meant? God? Who is he, Zeus - a thunderer, is only looking for what to punish for? No. These suffering are not from God, but from the devil. According to M. Mamardashvili, “a man is ready to endure any suffering