ДДТ - Пластун - текст песни, слова, перевод, видео

1. Roads - 5:33

2. Plastun - 5:44

3. Predpersight of the Civil War - 4:14

4. Winds - 7:22

5. Victory - 5:31

6. Perestroika - 4:39

7. Zmey Petrov - 2:30

8. Actress Spring - 7:52

9. Deputy Prokopenko - 5:14 (entry from a concert in the recreation center of the Lensovet, 1989)

Yuri Shevchuk - vocals, knock on rails (2), the sound of bottles (7)

Andrey Vasiliev-guitar (1-7, 9), choir (2, 6, 7)

Nikita Zaitsev - violin (1, 6, 8, 9), guitar with fusz (2)

Igor Dotsenko - drums, choir (2, 6, 7)

Vadim Kurylev-bass guitar, 12-string guitar (1, 8), choir (2, 6, 7, 8)

Andrei Muratov - keyboards, electrical litarcs (5), choir (2, 6, 7), sound engineering (consistency).

Mikhail Chernov - saxophone (3, 6, 7, 8, 9), flute (1, 4)

Elvira Shmakova - Vocalise (4)

Alexander Brovko - acoustic guitar (4)

The record took part

Symphony Orchestra Gos. Theater of the opera and ballet. M.P. Mussorgsky under the leadership of M. Makhtin (score and conducting - Mikhail Chernov) (5).

The spiritual section of the Brigade C group (3, 6, 7).

Sound engineers:

Andrey Shabunov

Evgeny Mochulov

Songs from this album appeared in the DDT repertoire around 1988 and, at least three years, formed the basis of all concert programs of the group. "Plastun" first sounded entirely in September 1988 in the Leningrad SCC. In the studio version, they are first captured in the form of a magneto -album "Anticipment of the Civil War" in 1989.

Shevchuk himself was so approaching the assessment of this work: “All of 1991, we tried to record everything that was written until the 1990s. I recorded vocals in Moscow, the heat is terrible, calm ... Some absolutely painful, vile state. I am not at all. I liked it. I seemed to spend the 1980s then. There was a feeling of farewell to the old. I clearly realized that we should play and do something else. Otherwise-either die, or everything, we must do other things. We looked at ourselves carefully, She was completely disgraced to our music - we even decided not to let us out this album, which we lost to it. It was just a shame. We released it later, when these sharpened feelings passed. And we began to rebuild, reorient ... ”.

“I would call this album“ lush ”. Lush, because there are a lot of colors-keys, strings, copper, symphony orchestra, etc. We were then passionate about classical music, tried to cross it with rock in our own way, find the face between pathos and a SERMILIA, lyrics. The main songs are dedicated to our Afghan friends and the rebuilding then perestroika. Plastun has a very interesting story. The songs made up the backbone of the second concert program “St. Petersburg” period of the DDT group. Work on the sound recording went in Moscow at the Video beautiful studio for almost a year. We experimented a lot, searched for the sound, in short, buried and, in my opinion, the record turned out to be some kind of not very lively, tortured, and decided not to let it out. They stabbed. The primary sources, practically disappeared ... And now there was a cassette. They listened for the first time in so many years and decided to release. It’s a pity, after all, for almost three years we lived with these songs. Already write - once, and to me, to be honest, laziness. ”

Vadim Kurylev said: “The album went out of the serious one - they recorded it for six months, then they brought it up for six months. The case took place in Moscow at the Video studio in 1991. For that time, the studio was very modern and well -equipped - it was equipped even by computers. On the same The studio was recorded by the Alisovsky “Sabbath” and “Black Album” “Kino”. At the time of the recording, we all moved to Moscow, and I even stayed there for another three years. The studio’s great technical capabilities as a result only harm the album - Yura and E. Mochulov brought together He was overdoor, we rewritten something, re-sewing, again and, in the end, Yura decided not to let him out. Apparently, he expected such incredible quality from the “plastun” that he could not reconcile with what happened.
In fact, the album is not so bad even in quality, and even in content - this is one of the best DDT albums. Here Andrei Muratov managed to turn around with his keys, and Andrei Vasiliev was not allowed to be his favorite “glass” guitars as he had never succeeded in. Less commonly, Nikita appeared at the studio and wrote mainly his electrical script, donated by Stas Namin.

Andrei recorded almost all the electric guitars, for which he got on the cover of the album. Subsequently, it seemed to me that this was unexpected for DDT albums also played a fatal role in the fate of Plastuna. He came out only five years later, when it became finally clear that no one would rewrite it - time has passed. As invited musicians in the recording, the brandyers from the then “brigade C” and the symphony orchestra, which were recorded separately in St. Petersburg, participated in the record. An orchestra for those and others was written by Uncle Misha. While this ill -fated album was written, a revolution occurred in the country, and there was no Soviet Union, Moscow became the capital of Russia, and Leningrad - St. Petersburg. I stayed to live in Moscow and began to come to my hometown only for rehearsals and notes of the following albums.