Д.Шостакович - Антиформалистический раёк - текст песни, слова, перевод, видео

Leading:

Well, how, comrades, let's start, or what? We have the people, however, today is not enough. True, we still prevail the underestimation of the cultural maximum of lecture propaganda. But, because according to the plan of our Palace of Culture, today we will have a series of performances on the topic "Realism and formalism in music", we are her, this topic, that is, these very speeches check.

Right?

Accepted.

The opening word will tell the musicologist number one on this topic, our main consultant and music critic Comrade Unit.

We will greet, comrades, our dear (gradually comes delight) and the beloved Great Comrade unit. (End of delight. Stormy, prolonged applause, turning into ovation. Everyone gets up.)

Music figures and workers (already delighted):

Glory! Glory a great unit! Glory!

(All sit)

Unit (reads on a piece of paper):

Comrades! Folk composers are written realistic music, and the formalistic music is written by anti-people composers.

It is asked why the realistic music is written by folk composers, and formalistic music is written by anti-people composers?

Folk composers write realistic music because comrades, which, being by nature realists, they cannot but write music realistic. And anti-people composers, being in nature formalists, can not, can not not write music formalistic.

The task, therefore, is that the folk composers will develop a realistic music, and anti-people composers would cease their more than questionable experimentation in the field of formalistic music.

Leading:

Right! Right! Comrades, thank our native and beloved Great Unit for historical speech, for his performance, enrichment and coverage of important issues of musical case.

(Stormy, prolonged applause, turning into ovation. Everyone gets up.)

Lead, musical figures and actors:

Thank you, thanks for the historical speech! Thank you, thanks for the deceic care!

(All sit)

Leading:

On the following, then the plan gives the word the musicologist number two, having a voice and the possibility of vocalization-and-and-irises. I give the word Comrade Twuster.

Two (edit):

Comrades! I do not mean to make dissonances (laughter) or atonality (laughter) in those thoughts that we heard here.

We, comrades, we demand from music

Beauty and grace.

Is it strange to you? Yes?

Well, of course, it is strange to you.

Strange it seems to you

It seems strange to you.

Yes, well, of course, it is strange to you,

strange it seems to you

strange it seems to you

As if something is wrong here.

And meanwhile, it is so!

I did not make a reservation!

We stand for the beautiful

Elegant music.

Music is unlodic

music is non-psychic

Music is non-harmonic,

Music is inevitable

This, it ... Bormashina.

Or, or ... Musical shuttle.

(Total laughter. Twox also laughs.)

Two:

Love beautiful, beautiful, elegant,

love aesthetic, harmonious, melodic,

legitimate, polyphon, folk, noble,

Classic.

In addition, comrades,

I have to tell you

what in the Caucasian operations

There must be a real lezginka,

There must be a real lezginka.

In the Caucasian Opera Lezginka

Simple should be known

Dashing, ordinary, popular

And necessarily Caucasian.

It must be real

Should always be real

And only, only real,

Yes, yes, yes, yes, yes, the present.

(2 times)

Music figures and activities (famously, in Caucasian, exclaimed, thereby convincingly demonstrating their full solidarity with the inspiring instructions of Comrade A.A. Dvyakina):

ACCA! ACCA! ACCA!

Leading:

Here is a truly scientific performance. What analysis! What depth!

(Liquid applause, n