Карло Джезуальдо - Мадригал - текст песни, слова, перевод, видео

Carlo Jezualdo is one of the most mysterious and demonic figures in the history of music. Carlo Jezualdo di Venoza, the Duke and the aristocrat, the killer of his wife and her lover, who luring his sins, the sufferer and hermit, whose radical works in the Madrigal genre have been surprised by the world for four hundred years. Madrigal is a musical recitation in a polyphonic form, when each voice emphasizes one or another line of a poetic image, and connecting, the voices of the vocal ensemble show the verse voluminous and multi -valued. In Madrigal, broken melodies were sensitive to the word, there were sharp, dissonating intervals between the voices, and all Madrigal, like a patchwork blanket, consisted of contrasting phrases-stripes; So, under the onslaught of expressive aspirations of the end of the Renaissance, a strict letter died. Madrigal did not follow the restrictions prescribed by strict letter. The dominance of Madrigal in European music falls on the second half of the 16th-beginning of the XVII century. In the 1590s he created his masterpieces by Carlo Jezualdo. He wrote about sorrow and death, his fantasy was unlimited, and if the students of the 21st century did not know that they hear the music of the Renaissance, they would probably have thought that these moaning dissonations belong to the musical avant -garde of the twentieth century.