Кирпичи feat. Nina Karlsson - Корпорация амстердамских стрелков - текст песни, слова, перевод, видео

(The song uses the poems of D. Harms:

"Unknown to Natasha", "The constancy of fun and dirt")

Having fastened his glasses with a simple rope, the gray -haired old man reads a book.

A candle burns, and the hazy air in the pages of the wind rustles.

The old man, sighing, stroking his hair and bread ink, the rug,

Glasses the teeth of the past with the residue and crunches loudly with the jaw.

The dollar is growing, the euro falls,

And I all float in the Hermitage,

At the picture, at the masterpiece

"Amsterdam's Corporation"

I am one of them, among my friends

The end of May

I don't understand anything at all

Here is the street Sovetskaya Eighth

I'm with a dog again, an hour before dawn

I'm absolutely happy, I feel it

Let it happen, because it was always so

The sun wakes up, water flows into the Neva.

People walk, blossoms blue

Everything will be so while Neva flows.

Amsterdam's Corporation

I love you, without fools.

The same time comes in St. Petersburg

When Peter the First, trying to get into the stirrup

Misses and hits right on the head

We walk along the Duma in a special blue

There is no time, day of the week, and dates

So we catch the car and go somewhere

Bolshaya Prypyaka st.

I heard recently in the channel a man drowned.

Shchsh ... floor above, here, again deaf

Quiet! Do you hear? The old woman walks

Let it happen, because it was always so

The sun wakes up, water flows into the Neva.

People walk, blossoms blue

Everything will be so while Neva flows.

A day passes, then a week

Then the years pass by,

and people with slim rows

They disappear in their graves.

A janitor with a black mustache

It stands under the gate all night

and scratches with dirty hands

Under a dirty hat, your nape.

And in the windows a cheerful cry is heard

And the clatter of the legs and the ringing of bottles.

Nevsky cough wakes up when it becomes light

That is, does not fall asleep, the soul does not leave the body

Useless doctors prize, praise and honor

I see those who make umbrellas eat

In this climate, the chances of capturing the throne

Let's go to the corner - buy two Shavron

It will be bored, well, maybe ...

A hypertension - let's live here.

Let it happen, because it was always so

The sun wakes up, water flows into the Neva.

People walk, blossoms blue

Everything will be so while Neva flows.

Jacobes Dirk

Group Portrait of the Amsterdam Riflers Corporation

Canvas, oil, 115 x 160 cm

1532, the Netherlands

In the 16th century, a group portrait arises in the Netherlands portrait painting, which later became widespread in the north of the country. The emergence of a group portrait is associated with the growth of self -awareness of burghers and the formation of a sense of community of class and business interests in them.

One of the founders of the group portrait was Dirk Jacobs. The Hermitage "Group Portrait of the Amsterdam Riflemen Corporation" from the collection of Count Bruil is the early work of this genre. In the picture of Dirobs, the members of the rifle guild are shown.

The main functions of such organizations were the protection of public order and the protection of the city from external enemies. Similar portraits were placed in the town hall and are currently rarely found in museum meetings.

The arrows are dressed in the clothes of their corporation: a red-blue cloak and a black flat hat. Their figures are located in three rows, over the other. In the center, the head of the guild in Kiras and with a musket in his hands is allocated. On the cloak of one of the men in the foreground depicts an eagle claw - the emblem of the corporation.

The picture presents people of different ages, appearance and temperament, but they are united by an understanding of the social significance of their team and pride in belonging to it.

The desire to capture on one canvas as many persons as possible is dictated by the practicality of customers - it is known that the payment of group portraits ordered by guilds was carried out by each portrait separately, and the value of the fee depended on the placement; The most expensive was the forefront. The skill of Dirk Jacobs manifested itself in the ability to give an individual psychological portrait of each depicted.