П. Чайковский - Увертюра 1812 года - текст песни, слова, перевод, видео

The overture opens with a slow introduction (Largo). In the strict chorary presentation, a melting prayer "Save, Lord, your people." After an increase in the Tutti chord, a solo of Goboy with a sad and anxious melody enters. It grows, all new tools are turned on. There is a picture of confusion and anxiety, leading, after a new powerful tutti, to a decisive, on fortissimo, a unisicious bass course (baskets and low string). The fraction of the drum, military fanfares, brief decisive tunics of strings are drawn by those gathering for the rest of force. After the general pause, the central section of the overture begins - a picture of a deadly battle (Allegro Giusto). A continuous rapid movement dominates it. Two growing waves lead to the appearance of the national anthem of France Marseelusa - the image of the invaders - in a distorted, sinister sound. The image of Russia is opposed to it - a wide melody of string in the nature of the folk song, which is replaced by a genuine folk play of the dancing “at the gate, the gates of the Batyushkins”, intoned with a flute and English horror in the octave. A violent, energetic development leads to a reprise in which the opposition of French and Russian topics is aggravated. Resolution takes place in the code where the Russian theme won a decisive victory over the Marseille. The picture of the popular glee is emphasized by the introduction of a military orchestra, a bell chin and the blows of a suspended large drum that imitates cannon shots. In conclusion, after the prayer (the first topic of entry), the Russian anthem “God, keep the king” powerfully sounds powerfully. (In Soviet times, the overture was performed in the editorial office of V. Shebalin, in which the anthem was replaced by the orchestral version of the “Glory” choir from Glinka’s first opera.)