Бах - Чакона - текст песни, слова, перевод, видео

"We are going to talk about the "Chaconne"/.../D minor. It is about death. Bach lost Maria Barbara and two children. And he loved her and loved them. It is written about death. Listen to the inexorability, the inevitability of fate. After all, we are all going to die. And try to hear how he changes the register here, in the first part, uses the quadruple to create the illusion of several violins in dialogue with each other. They create the polyphony that sounds in every person, in all of us. Some of these voices will accept death, others will not. And now a long passage of arpeggios begins, a rapid passage, the feeling of concentration of energy is enhanced by the movement along three or four strings, do you hear? One can swear that at least three violins are sounding./.../ "Chaconne" may be some kind of fluid, multiplying tonal reality that will never end. /.../ Longing for the Divine. For what can never be contained physical form./.../ The second movement is in a major key. Merciful. Deep sorrow./.../ Listen: the consolation sounds almost triumphant. He makes the violin sound like trumpets. Here, at the 165th bar, he enhances the fanfare effect by playing the D string with the third finger in the pickup to the duple bar and at the same time playing the open A string. This intensifies the A overtones. Listen, this continues until the 177th bar. Here begins a quiet, deep joy. With many pauses that create a feeling of melancholy. He has come to terms with death. And it seems that this is all. But this is not all. Something greater is to come. At the 201st bar, the spaceship begins to rise upward. The second movement ends with arpeggio passages, like the first movement. And now listen to the beginning of the third movement. We are again in the key of D minor. This is the same chord that Brahms uses in his first piano concerto, in the opening theme. The Chaconne refracts through all of classical music. We are approaching the 229th bar, where Bach uses bariolage, he balances between the open A string and the sounds emerging on the D string. Tears and power at the same time. The death of the first movement returns, but now in the light of the consolation and triumph and peace of mind of the second movement. This is music that breaks out of the room. It is a way of living, when death is always near, and yet there is always a lot of strength, energy and compassion. Listen to this: from the 241st bar onwards. This is death itself, enlightened by consciousness. Bach does not simply say that one can walk through death with open eyes. He does it himself - in his music he does it. What is the secret here? That is what I wanted to ask." (Peter Høeg "Silence")