Бах - Месса си минор. III. Credo - текст песни, слова, перевод, видео

In the 3rd part, Credo, dramatic contrasts dominate.

Credo in Unum Deum - a wide strict melody of the Gregorian choral passes sequentially (in imitation) for all the votes of the choir against the backdrop of the solemn and measured movement of orchestral bass.

From 9 minutes - et incarnatus (and the incarnated) 5 -head choir returns to mournful images. Heavy measuring bass notes seem to crush, the “sighs” of strings sound plaintively. A simple, strict, full of hidden suffering of the melody is intoned with choir. Voices are layered on one another, creating a rich musical tissue. Mourning reflection leads to the next number.

Crucifixus Etiam Pro Nobis (crucified for us) is the tragic climax of the mass, the story of the Savior's godmother. In this penetrating episode, written in the spirit of the Italian Aria, Laughtero, Bach used the form of passacalia. Thirteen times the same melody appears in the bass - measuredly, steadily descending a gloomy chromatic move. Against its background, separate chords of string and wooden instruments arise, fragmentary, like sighs and moaning, replicas of the choir. At the end, the melody descends lower and lower, and as if exhausted, dies. Everything is silent.

And at once a wide jubilant stream of light, the sounds of the eT Resurrexit choir, singing the resurrection, the victory of life over death.

Et Incarnatus refers to the birth of a person who will take on the sins of the world; in "Crucifixus" - about the crucifixion and the death of Jesus; In "ET Resurexit" - about its resurrection. As always, Bach’s pages dedicated to Jesus - the suffering person, the most soulful and emotionally saturated.

The movement of musical images leads to the strongest increase in tragic elements. Hopeless sorrow, the feeling of doom in the “et incarnatus” are deepened by a terrible picture of death, human grief in “Crucifixus”. The more the dramatic effect is amazing, which produces a sudden explosion of delight, comprehensive joy in ET Resurexit. In contrasting death and the all -conquering power of life - the hidden meaning of this peculiar cycle. Various aspects of the same idea constitute the main content of the entire work.

Mass SI Minor (High Mass), BWV 232-Messa-Kantat, musical work of Johann Sebastian Bach for soloists, organa, choir and orchestra, written on the Latin text of the Catholic Liturgy.

During the life of Bach, he was not fully performed, only he used the first two parts in Sunday worship. Mass Si-Minor is called the philosophical confession of Bach, the most complete expression of his attitude to the world. As in the passions, the composer revealed his life ideal here, turning to that high in a person that is not subject to time: readiness for moral feat, for self -sacrifice. The philosophical content of the mass was embodied in a monumental, innovative form, which largely expanded the framework of the traditional canon. The tall Mass Bach is incredibly large -scale compared to traditional ones.