Бертольт Брехт - 02. Добрый человек из Сезуана - текст песни, слова, перевод, видео

Director - Yuri Lyubimov

Artist - Boris Blank

Music - Anatoly Vasiliev

Characters and performers:

1st God - Arnold Kolokolnikov

2nd God - Vladimir Klimentyev

3rd God - Veniamin Smekhov

Shen Te, Shui Ta - Zinaida Slavina

Young Sun, unemployed pilot - Vladimir Vysotsky

Mrs. Young, his mother - Alla Demidova

Wang, the water bearer - Valery Zolotukhin

Shu Fu, the barber - Igor Petrov

Mi Tzi, landlady - Inna Ulyanova

Mrs. Shin - Marina Polizeimako

Policeman - Boris Goldaev

Lin To, carpenter - Dalvin Shcherbakov

Carpet dealer - Boris Khmelnitsky

His wife is Lyudmila Voziyan

Unemployed - Valery Pogoreltsev

Old ka - Inna Ulyanova

Young woman - Taisiya Dodina

Priest - Vsevolod Sobolev

Musicians - A. Vasiliev, B. Khmelnitsky, D. Shcherbakov

Family of eight:

Wife - Tatyana Lukyanova

Husband - Alexander Sabinin

Brother Vung - Yuri Smirnov

Daughter-in-law - Elena Kornilova

Grandfather - Valery Zolotukhin

Boy - Agaria Vlasova

Niece - Nina Shatskaya

Nephew - Vsevolod Sobolev

The gods who descended to earth unsuccessfully search for at least one good person. Finally, Shen Te, a prostitute from Szechwan, turned out to be one: after all, her “profession” does not allow her to say “no”. But the more she does good to others, the more troubles befall her... The roots of good and evil in the human soul are explored by this legendary performance, which began the history of the Taganka Theater under the direction of Yu. Lyubimov, who created a new direction in Russian theatrical art.

The Moscow Theater of Drama and Comedy on Taganka, the Taganka Theater, arose in 1964 on the basis of the Moscow Theater of Drama and Comedy (created in 1946), the troupe of which included graduates of the Theater School. B.V. Shchukin, trained by Yu.P. Lyubimov (he also headed the new team). The first performance prepared while still at school was Brecht’s “The Good Man from Szechwan”. The theater, creatively using the stage methods of K.S. Stanislavsky, V.E. Meyerhold, E.B. Vakhtangov, B. Brecht, staged performances characterized by sublime poetry, satire and direct journalism.