Эдуард Артемьев - Andrey Tarkovsky vol.3. - Solaris - текст песни, слова, перевод, видео

Tracklist:

01 - Part I. Bach (02:49)

02 - Part II (02:32)

03 - Part III (02:22)

04 - Part IV (03:13)

05 - Part V (02:27)

06 - Part VI (07:18)

07 - Part VII (03:55)

08 - Part VIII. Bach (rem.) (02:56)

09 - Part IX (01:26)

10 - Part X (00:38)

11 - Part XI (02:09)

12 - Part XII. Bach (rem. 2) (01:42)

13 - Part XIII (04:44)

14 - Part XIV (00:44)

15 - part XV (04:36)

16 - Part XVI. BACH (REM. 3) (06:19)

17 - Part XVII. Bach 2 (01:20)

"I have very fundamental claims to this film adaptation. Firstly, I would like to see the planet Solaris, but, unfortunately, the director deprived me of this opportunity, since I shot a chamber film. And secondly (and this I told Tarkovsky during one of the quarrels), he did not take off at all “Solaris”, but “Crime and Punishment.” After all, it follows from the film only that this pascular Kelvin brought poor Hari to suicide, and then for this reason was tormented by remorse, which intensified her appearance , and the appearance in the circumstances of the strange and incomprehensible. This phenomenon of the next appearance of Hari was used by me to implement a certain concept, which dates back to Kant. After all, there is a Ding an sich, an unknowable thing, the second side, which is impossible to break through. And it is impossible to break through and This in my prose was completely different and arranged ... But it was very terrible that Tarkovsky introduced Kelvin’s parents, and even some of his aunt, and above all, his mother, and “ma t ” - this is“ Russia ”,“ homeland ”,“ earth ”. This has already angry me decently. We were at that moment as two horses that pull one cart in different directions ... In my book, the sphere of reasoning and issues of cognitive and epistemological, which is closely related to the solaristic literature and the essence of the solarism, but, unfortunately, the film was thoroughly important Cleaned from this. The fate of people at the station, about which we learn only in small episodes during the next collision of the camera-they are also not some kind of existential joke, but a big question regarding the place of man in the universe, and so on. Kelvin decides to stay on the planet without any hope, and Tarkovsky created a picture in which some kind of island appears, and on it a house. And when I hear about the house and the island, I almost get out of indignation. The emotional sauce in which Tarkovsky plunged my heroes, not to mention the fact that he completely amputated the “Sainta landscape” and introduced a lot of oddities, for me completely unbearable "S.L.