Чайковский Петр Ильич - Сентиментальный вальс - текст песни, слова, перевод, видео

Musicologist Anna Petrova.

"Once again about the waltz!"

Johann Strauss-Jrhest lived a long life during which he together with his orchestra and without him there was a whole world. Farewell to Petersburg. "

Waltz won the world! He was danced everywhere and everywhere. Apparently how 18 days was the era of Menuet, and 21Wek "writhing in cramps" under the roar of rock, 19Vek became a century of the Waltz, chose Waltz in his symbol, found and expressed himself in the Waltse. But why? What is the mystery of the Magic Waltz? There are dancing, whose content, meaning is not determined by an external appearance, not emotional roots, and the choreographic principle, which lies with them, and also generated by this principle: the rhythmic formula, intonation vocabulary. Takov waltz and tango. Especially waltz! The whole dance becomes a kind of supervisor, reflecting and embodying the deep, most hidden, sometimes indescribable by other expressive means, layers and parties of being. Payment of everything, the waltz is extremely democratic. In the uniforms of his circle, it is one and the same for all. Moreover, All people, regardless of their position, are the same and equal in the waltz. If in court dance, especially in Menuet, each step was prescribed and was painted; was strictly subordinate to the ceremonial and etiquette, and this A row of dance, the position of dancing, their role in the dance, the choreographic figures themselves reflected the social status of his participants, then the waltz gave freedom of individual expression, the freedom of expression. This once noticed that it was not yet possible to dance waltz threesome. The monotony of the movement of the dancing couple, the subordination of two of this single infinite circle creates an amazing sense of combining, dedication from all over the world. Where, or here, it was best to express themselves that individualism, then the hypertrophied awareness of my own, its exclusivity and uniqueness, deducting it from The surrounding, which will be brought with me on 19V. And at the same time, where, as none of the Waltz, the illusion of the connection with the other I found in this vast world was created. Wals spent another illusion of flights in the uncharted, immersion in a charming, pure, having beauty The world, the illusion of the liberation from judacy, the vulgarity of the surrounding. Do you have the illusion of the combination of flight, the separation from the prose of reality created Walsa his romantic halo?

But this does not explain to the end the power of the magic secret of the Waltz, the magical force of the most advisory principle. The bottomless depth is hidden. The bottomless depth is hidden. Double-liter. With the one hand, it seems extremely dynamic - it is all in an infinite, not necessarily on a moment of movement. But this Movement in a circle - it is monotonous, and this monotony generates a feeling of statics, settric, frosts in one place. It is also its stiffness, glowing and the inability to break away, steep all in one and in one limit and the impossibility of breaking out of this limit. This is the duality of the Waltz It is impossible to hand over, perhaps, the most significant, deep emotional-psychological dominant of 19 months, glowing a person to the bright world of the dreams and the inability to escape from the hard framework of commonplace, longing for the ideal and location within the sober-minded well-being, chase for a beautiful sleep, care to the world of fantasy from The world of cold calculation, the full loneliness of a person in the society of soulless egoism. If this is a hidden melancholy Once, the best, the best, peace; the flight of dreams behind the elusive, elusive fairy tale with such force and exquisite beauty was embodied in countless waltovoy poems, starting with the "Waltz-Fantasy" M. Glinka.